La ajorca de oro. 0 references. author · Gustavo Adolfo Bécquer. 0 references. country of origin · Spain. 0 references. narrative location · Toledo. 0 references. Format: audio. Language: spa. Time. Date: Early 21st century; Period: Early 21st century. Temporal: st; 21st; 21st century. Provenance. Identifier. “THE GOLDEN BRACELET” / “LA AJORCA DE ORO”, GUSTAVO ADOLFO BÉCQUER (A Legend of Toledo) I She was beautiful, beautiful with the kind of.
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She was beautiful, zjorca with the kind of beauty that inspires vertigo, with a beauty that is nothing like that which we associate with angels but which, nevertheless, seems supernatural; a diabolical beauty which the Devil might have given to someone, to make them His instrument on earth. He loved her; he loved her with a love that knows no limits or restraints; he loved her with a love that looks for happiness and joy, but finds only torment; a love that seems to be happy, but which Heaven might have used as punishment for a sin.
They were both from Toledo; where they had lived since they were born. The events described in this remarkable story, which occurred many years ago, do not tell us anything more about these two protagonists. In my capacity as a true — to — life chronicler, I will not add a single word of my own invention to make them seem better.
One day he found her in tears and asked her why she pro crying. After she dried her eyes, she looked at him intently for a moment; then she sighed and began crying again.
Moving closer to Maria, Pedro took her hand and, resting his arm on the railing of the bridge from which she was looking down at the passing waters, he asked her again why she was crying.
La ajorca de oro – Wikidata
Below their vantage — point, the Tajo was flowing around the rocks which form the seat of this imperial city. The sun was setting behind the nearby mountains; the fog was floating like a blue veil over the water, and only the monotonous sound of the current broke the profound silence. Still not satisfied, he continued pressing her with questions. Eventually, she broke her stubborn silence, and she said to her lover with a voice that was reluctant and hesitating: Yesterday I went to the cathedral; they were celebrating the festival of the Virgin and, resting on the central altar over a golden base, her statue was shining like it was on fire; powerful notes of the organ spread through all the corners of the church while the choir was singing Hail Holy Queen.
I was praying and my mind was thinking religious thoughts, when I automatically raised my head and looked at the altar. I looked away and started praying again But that was impossible! My eyes involuntarily went back to the same place.
La Ajorca de oro by Gustavo Adolfo Bécquer
The lights of the altar were reflected in the facets of its diamonds in a way that captivated me. Thousands of red, blue, and green sparks glittered over its gems like tiny bits of fire, like a dizzying ring ajorcz fire spirits that fascinated me with their glow and their incredible agitation Ofo left the church and came home, but I came with that image fixed in my mind.
With that thought fixed in my mind, the night seemed endless Finally, at dawn my eyes closed and, would you believe? It was another woman, another woman like me, who looked at me and laughed as though she mocked me.
La Ajorca de oro
It looks like a circle of stars plucked from a summer night. Do you see it? But it is not yours, and it will never, ever be yours Perhaps you could have other jewels that seemed nicer and more precious, if that were ever possible; but this one, this one that glows in a way that seems so fascinating?
So what do you say? Are you just going to bow your head in silence? With a convulsive movement Pedro grasped the hilt of his sword and raised his head which, in fact, he had lowered; and with a hesitant voice he asked: If that were the case, I would be happy to find a way to get it and give it to you, though it cost me my life or caused my damnation. Pedro looked down at the waters of the Tajo with a glum expression, his eyes fixed on the current that continued to flow past their vantage — point, past the rocks which formed the foundation of their city.
Imagine a forest of granite palm trees whose branches form a magnificent arrangement of arches, under which a whole world of real and imaginary creatures are thriving with a life that was granted by a god. Imagine an incomprehensible mixture of shadow and light, where the naves spread out under vaulted arches that are sunken in the darkness of a sanctuary that is permeated with the glow of candles.
Imagine a world of stone as large as the spirit of our religion; which is as somber as its laws, as enigmatic as its parables, and you will still not have the slightest idea of the magnificence, the power, and the faith of our elders who for centuries have filled it with the treasure of their belief, their inspiration, and their art.
In its bosom you will find the stillness, the majesty and the poetry of mysticism, as well as a sacred rejection of all mundane thoughts and the petty passions of everyday life. Material appetites are satisfied by inhaling fresh air from the mountains; atheism must be cured by breathing its atmosphere of faith.
But if the cathedral always seems grand and imposing when we enter its mysterious, holy sanctuary, it is never quite as impressive as on the days when it is decorated for a religious festival, when its tabernacles are covered with gold and jewelry, its steps with carpets, and its pillars with tapestries. Then, when thousands of silver lamps emit streams of light; when a cloud of incense floats in the air; when the voices of the chorus, the harmony of the organ, and the bells of the towers shake the building from its deepest foundations to its highest steeples, that is when, on hearing this, one realizes God is present in the cathedral and that He animates it with His breath and fills it with the reflection of His divine omnipotence.
On the same day when the conversation which we have just described took place, in the Cathedral of Toledo they were celebrating the last magnificent Octave of the Virgin. This important religious festival had attracted large numbers of the faithful; the crowds of people had dispersed in different directions, the lights of the chapel and the altar were extinguished, and the enormous doors had creaked on their hinges as they closed, when a very pale man, as pale as the statue of the tomb where he kneeled for a moment, made his way quietly and cautiously through the shadows towards the iron gate of the transept.
There, the light of a lamp made it possible to distinguish his features. What could have happened between the two lovers so that he was now bold enough to attempt something which, earlier, just to think about it had made his hair stand on end. We will never know. But there he was, and he was undoubtedly there in order to carry out a criminal act. In his nervous glances, in his trembling knees, in the sweat that was running down his forehead, one could read the thought that was in his mind.
The cathedral was now empty, completely empty and sunken in profound silence. Nevertheless, from time to time Pedro could hear some strange noises: Perhaps it was the product of an imagination that, in its excitement, hears things which are not there. But even then, sometimes nearby sometimes far away, sometimes behind his back and then at his side, there were sounds like repressed sobs, like the sound of cloth rubbing, like the noise of steps that ceaselessly come and go.
Pedro tried to keep moving; he arrived at the gate and climbed to the first step of the main chapel. Around this chapel were tombs with the stone image of former kings who, with their hand resting on the hilt of their sword, seemed to watch over this sanctuary in whose dark shadows they were resting for eternity.
When he looked down, his hair raised on end again; he saw in dismay that the floor of the chapel was formed with stone slabs that were covering several tombs. For a moment, it seemed that a cold, skeletal hand was pushing him back with an irresistible force. The dying lamps that flickered in the darkness, like stars lost in the shadows, made his vision waver so that everything seemed to fluctuate: Around him everything was unreal and frightening; objects were indistinct and difficult to see in the darkness.
Only the Queen of Heaven, dimly lit by the glow of a golden lamp, was smiling calmly, quiet and serene, in the midst of all this horror. However, the silent and motionless smile, which calmed him for a moment, began to fill him with an indescribable feeling of terror, a terror that was deeper than anything he had felt before. Nevertheless, he took control of himself and closed his eyes so that he would not see it. He reached out his hand and, convulsively, pulled off the bracelet, the golden bracelet which had been the pious gift of a former archbishop, and was worth a fortune.
Now the precious thing was in his possession; his tense fingers held on to it with a power that was almost supernatural.
Now all he had to do was flee and carry it away. But in order to do that, he would first have to open his eyes, and Pedro was afraid to see; he ahorca afraid to see the statue, the tombs of the kings and the gargoyles on the cornices, the mythical monsters resting on the columns, and the faint rays of light that were moving like ghosts through the naves which were filled with strange, frightening noises. Finally, he opened his eyes and looked around, and a sharp cry escaped from his lips.
The cathedral was filled with statues, statues dressed in long robes that had descended orp their niches and their pedestals so they filled the entire cathedral and were staring at him with their empty eyes. Saints, monks, priests, angels, devils, warriors, ladies, and acolytes were now gathered around him, occupying the naves and the altars. At his feet, next to the kings who were kneeling over their tombs, were the marble orl that he had seen before lying motionless on their death beds, while slithering over the slabs, climbing up the columns, perched on the arches, and hanging from the ceiling like worms in an immense cadaver, a multitude of reptiles and creatures of granite were swarming.
He could bear it no longer.
His heart felt like it was going to explode, and a wave of blood clouded his vision. He shouted for a second time, a piercing shout of abject terror, and he collapsed on the altar. The next morning when the church workers found him, he was still holding the golden bracelet in his hands, and when he saw jaorca, he exclaimed with an insane laugh: La hermosa, rompiendo al fin su obstinado silencio, dijo a su amante con voz sorda y entrecortada: Ayer estuve en el templo. Callas, callas y doblas la frente Pero a la Virgen del Sagrario, a nuestra Santa Patrona, yo La catedral estaba sola, completamente sola, y sumergida en un silencio profundo.
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Email or Phone Password Forgot account? Demian, Herman Hesse Book. Federico Garcia Lorca Writer. Learn Spanish with Salo Education. Museo Nacional del Prado. She was capricious, capricious and extravagant, like all ee.
He was superstitious, superstitious and bold, like all men of his time. II One day he found her in tears and asked her why she was crying. Courtesy of Armand F. Ella era caprichosa, caprichosa: El infeliz estaba loco.